Full of anticipation, the young and ambitious Commissioner Carsten Lanner (Florian Lukas) is moving from Berlin Cloppenburg in Lower Saxony for a further education. However, he did not expect the outspoken chutzpah of the Berliners and, above all, the rude nature of his colleagues, who in no way received him with open arms. And so he slips more accidentally than wanted shortly after his arrival in Berlin in his first case.

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Kang-soo is a third-rate street thug in Busan; he's an alcoholic and gambling addict who's always on the run from loan sharks. But when his rebellious teenage son Jong-chul is diagnosed with kidney cancer, he tries to be a real parent for the first time and seeks out Jong-chul's biological father, Tae-suk, a pimp. Tae-suk, however, refuses to help.

City of Angels is a 1976 television series created by Stephen J. Cannell and Roy Huggins, who had previously worked together on The Rockford Files. American mystery novelist Max Allan Collins has called City of Angels "the best private eye series ever."

A chase story unfolds as a renowned broadcast journalist falls into a trap due to a fabricated tip-off.

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. 　　“Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.